On Saturday morning I felt like someone had tipped over a dumpster, scotch-taped the garbage together in the shape of a man, and used some fell necromancy to animate it into a trash golem. I felt like a trash golem. I was trash. We’d gone out to Lars and Amanda’s birthday/going-away party at Leman Kultur in Taksim and gotten far, far too drunk far too quickly on the Ukrainian Birch vodka Jari’d brought back from the Kiev airport. Harriet had purchased some apple juice at a tekel and we’d surreptitiously poured the vodka and apple juice into a beer stein purloined from an empty table while the waiter wasn’t looking. It seemed like a good idea, but it was actually a terrible idea, because it meant we had to leave really early and it wrecked my brain for Saturday. Which was bad, because rehearsal is on Saturday morning. When the alarm went off I actually did not know what alarms were or why there was sound, or whether life was real or not. “What is this?” I thought to myself. “I am sleeping right now. Why are there things other than sleep??” We shambled out of bed and, after a brief stop at the metro office near the docks to get Harriet a mavi kart, hopped on metrobus to get ourselves over to Etiler.
I’d missed the actual first rehearsal on Wednesday so this one was the real first rehearsal for me, and we ran the first few scenes of the panto. A pantomime, for my american readers, is a style of British theatre where men dress like women and the audience is incited to boo and cheer for the bad/good guys. It’s a traditional kids’ Christmas play which usually takes a fairy or folk tale as its plot, and then adds in lots of political/sexual innuendo for the adults. Because this is of course in Turkey, where politics is, oh, kind of a sensitive subject (even in English), we’ll be eliminating any timely references. We’re doing the tale of “Dick Whittington and his Cat” so rest assured all the sex jokes will still be there. Chris Wall is Chris the Cat. I am a woman named Sally the Cook.
After rehearsal we jetted off to Bomonti, a part of town which after three years I’ve still never visited before, and went to the annual Korean Charity Bazaar. I had no idea there were enough Koreans in Istanbul to throw a charity bazaar, but oh maaaaaan when Taylor clued us into it, we had to make it a priority. I mean, KIMCHI. KIMCHI ALL DAY EVERY DAY. AAAHHHH MORE PLEASE. So we went up into Bomonti into what looked like an empty university building, but as soon as we got in, we heard the loud echoes of korean opera, and we saw a bustling flea market on the bottom floor. We got a weird delicious pancake of vegetables, a weird delicious pastry filled with nuts, cinnamon, and honey, and chap chae and kimchi and rice and UGH. When I die please make my body into kimchi. Or if that’s gross you can fill my coffin with kimchi and push me out to sea. Whatever. Korean grandmas pushed kimchi on us, and Chris pulled me and Harriet into the bazaar to check out the fanciest Korean bidet. It had robot settings to blast water at your anus at different speeds and patterns; it had an air-dryer. Inside the demo toilet, beneath the bidet’s robot arm, someone had placed a pot of plastic roses. The ambient music changed from Korean Opera to Aerosmith.
That night, still wretched and demolished and hung, Harriet and I decided to stay home and chill. Jari’s French lutist friend Valerie had invited him to another musician’s house for Renaissance music and dinner — apparently the guy had a museum-y house covered in antique turkish instruments from the middle ages and Ottoman times, and could also apparently play all of them.
On Sunday Jari and I discussed the menu for our pop-up restaurant at Circuit for next Saturday. Harriet and I escaped from the city and went to Kilyos on the Black Sea. It was one of the last nice days of the summer before winter shits all over us, so we wanted to exploit it for beach day. We took the metro to the end of the line and then took the bus all the way to Demircikoy, a tiny village beyond the more touristy Kilyos. We walked down a hill for half an hour past a bunch of gated communities and got to a cute beach with sand and kite-flying dudes and dogs. We barely did anything other than walk around and explore the coast, with its rugged rocks and powder-blue whitecap waves. We stood on the edge of the rocky cliffs and felt heroic. Out in the Black Sea, a herd of ships waited their turn to go through the Bosphorus.
It was a nice weekend after a week destitute of actual work. This week I start work at a children’s theatre doing shows for $$$ and helping kids learn English. We’ll rehearse a show to transmute it into entertainment, and then tour around Istanbul schools, doing one, two, maybe three performances a day. There are tours, too — last year they went to Iskenderun, Kayseri, Antalya. It doesn’t pay loads (but crucially, it does pay a living wage) so I’m supplementing my income with the usual run of private lessons, including the kid whose arm I broke.
Normally I’d linger a bit on all these stories — I don’t like rushing through everything so quickly, narratively speaking, but I just haven’t written anything in so long that I had to catch up. As usual, life in this city charges along like a rhinoceros.